We are a creative company that elevates the cultural resources sleeping across Japan into entertainment IP of world standard. With non-verbal expression and Japanese animism at the core, we create performances that fuse contemporary dance, taiko and contemporary circus.
Not the surface “Japanese style” that is consumed and forgotten, but the aesthetics and the human feeling behind it — dug out and crossed with contemporary methods. We reject imitation of form outright. As long as the core of Japan's ancient spirituality and aesthetics holds, no amount of bold staging will lose the essence — just as Ise Shrine is rebuilt every twenty years and remains itself. Preserving tradition and creating anew can coexist.
To learn, and in due time to practise what one has learned —
is this not a joy?— The Analects of Confucius, Book I
The sound of the name comes from Ame-no-Uzume-no-Mikoto of Japanese myth. When the sun goddess Amaterasu hid in the rock cave and the world fell dark, Uzume danced with such joy that the eight million gods roared with laughter — and light returned to the world. She is Japan's oldest dancer.
宇 (U) is taken from Uzume, and also means boundless space. 悦 (Etsu) is the joy in the opening line of the Analects — “to learn, and in due time to practise it, is this not a joy?” — an active joy that wells up from within. Together, read in our own way, they became UZETSU.
To light Japan up again through culture and the arts, and to carry our responsibility as people of culture. That mission is written into the name.
Like Riverdance or NANTA: a package that carries its own culture across the language barrier and tours the world.
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PRESENTSShrines and temples, traditional crafts, the spirit of a place — resources hard to turn into products as they are — become immersive content, in step with the regional revitalisation programmes of the Japan Tourism Agency and the Agency for Cultural Affairs.
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Born in Tokyo, raised partly in Washington, D.C. Entered the Department of Philosophy, Faculty of Humanities at Sophia University in 2017. Trained at Rudra Béjart Lausanne and the Martha Graham Dance Company in New York. In 2019 she became the first Japanese finalist at the ORSOLINA28 competition, run in partnership with Teatro alla Scala, and received the Outstanding Choreographer Award at Youth America Grand Prix the same year. She has taken part in creations with Batsheva Dance Company and choreographed for Ballet Julien Lestel and Compagnie Linga, among others. Back in Japan, she founded the International Arts Initiative, a non-profit association devoted to “rethinking the value and responsibility of culture and the arts”, and worked as a Japan Tourism Agency specialist in high-value inbound tourism, developing content at the foot of Mt. Fuji. She founded UZETSU INC. in 2026 and directs and choreographs all of its works.
Born in Kanagawa. Began ballet, rhythmic gymnastics and swimming at five, and artistic swimming at eight. Selected for Japan's junior national team at 17; team bronze at the Junior World Championships. Solo winner at the US Open and the Malaysia Open. Competed for Japan's national team “Mermaid Japan” at the World Cup, the Asian Games, the Universiade and the World Championships. After retiring in 2014, she performed in Cirque du Soleil's resident Las Vegas show “O” from 2015 — seven years and roughly 2,500 performances — and appeared alongside Hans Zimmer and Blue Man Group at the charity show “One Night for One Drop”. Back in Japan, she produced a charity mermaid show at Notojima Aquarium in support of recovery from the Noto Peninsula earthquake, drawing 14,000 visitors in four days. Joined UZETSU in 2026. She oversees aerial direction, casting and the creation of circus acts for all works.
Born in Hyogo in 1996. Licensed first-class architect. Graduated from the Department of Architecture, School of Engineering, Kyushu University, and completed the Graduate School of Human-Environment Studies. While still a student he won a string of architecture and urban-design competitions, including national selection at the AIJ Design Competition, the Jury Special Prize at Tokyo Architecture Collection and the Kyushu University President's Award (Grand Prize). In 2023 he received the JID Award Next Age Prize and the Good Design New Hope Award. At Hakuten Corporation he designed exhibition spaces for Mika Ninagawa with EiM (including “Light of the Other Shore, Shadow of This Shore” at Kyocera Museum of Art), the stage design for DAZZLE × Mika Ninagawa's “Hanayoi no Ochakai” at Kitano Tenmangu Shrine, scenic elements for the Perfume exhibition and Tokyo Dome concert, and the venue design for the Ghost in the Shell exhibition at TOKYO NODE. Working across architecture and scenography, he conjures moments of the extraordinary in streets and buildings outside the theatre. At UZETSU he is scenographer for all works.
Taiko drummer and composer. Leader of Tachibana Taiko “Hibikiza”, founded in 1990 and based in Miyazaki. Recipient of the Prime Minister's Prize at the Japan Taiko Junior Competition. With Hibikiza he has toured eleven countries including France, Russia and Taiwan, and in 2025 staged the group's 35th-anniversary concert. He also composes and directs for the stage. At UZETSU he composes, arranges and performs, overseeing music that is played entirely live, with no recorded tracks.
| Company | UZETSU INC. (株式会社宇悦) |
|---|---|
| Founded | 4 February 2026 |
| Representative | Yuko Shimoji, CEO |
| Address | Aoyama Marutake Bldg. 6F, 3-1-36 Minami-Aoyama, Minato-ku, Tokyo 107-0062, Japan |
| Business | Planning and production of performing arts Content creation from regional cultural resources Consulting on regional revitalisation |
| Board | Yuko Shimoji, CEO Misa Sugiyama, Director Ryosuke Hara, Director |
| Contact | info@uzetsu.com |